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CORPORAL PUNISHMENT, CORPOREAL BLISS We are led – and almost literally so, leash and all, as lead performer Kleopatra appears blindfolded onscreen – into the second installment of HardWerks Triptychon series by the ring of a bell, the creak of an old wooden school desk, a nervous lick of the lips and three waiting figures. Hanging in the air with it all: anticipation, intention, veneration. Its no
